We present in this paper our recent developments dealing with constraint-based programming. Our focus is in a new syntax that extends the pattern-matching part of our rule system. The syntax allows to refer to more high-level entities in a score than before, resulting in compact rules that use only a minimal set of primitives. The system can be used to define a wide range of cases ranging from melodic, harmonic and voice-leading rules. The compiler can be extended to support new score accessor keywords by special compiler methods. The new syntax is explained and demonstrated with the help of a large number of rule examples. 1
Scores are structured objects, and we can therefore envisage operations that change the structure of...
The goal of this work is to derive four-voice music pieces from given musical plans, which describe ...
This master's thesis aims to interface and apply the constraint programming to a software of musical...
In this paper we introduce a system that first generates statistical analysis data from a musical sc...
Constraint programming (CP) has been used for several decades in music composition and analysis. It ...
The use of Constraint Programming in Music is not new and is still very active today. This paper pre...
This chapter surveys music constraint programming systems, and how composers have used them. The cha...
This chapter surveys music constraint programming systems, and how composers have used them. The cha...
Constraint Handling Rules [1,2] is a high-level programming language extension based on multi-headed...
International audienceDiscovering association rules among items in a dataset is one of the fundament...
cote interne IRCAM: Truchet01aNone / NoneNational audienceA Constraint Programming System for Music ...
cote interne IRCAM: Truchet04aNational audienceConstraint Programming (CP) allows to modelize and so...
Throughout the history, musicians have always used music composition rules, which actually are in mo...
AbstractConstraint Handling Rules (CHR) are our proposal to allow more flexibility and application-o...
We address the issue of formulating constraint problems in structured domains, and focus on the expl...
Scores are structured objects, and we can therefore envisage operations that change the structure of...
The goal of this work is to derive four-voice music pieces from given musical plans, which describe ...
This master's thesis aims to interface and apply the constraint programming to a software of musical...
In this paper we introduce a system that first generates statistical analysis data from a musical sc...
Constraint programming (CP) has been used for several decades in music composition and analysis. It ...
The use of Constraint Programming in Music is not new and is still very active today. This paper pre...
This chapter surveys music constraint programming systems, and how composers have used them. The cha...
This chapter surveys music constraint programming systems, and how composers have used them. The cha...
Constraint Handling Rules [1,2] is a high-level programming language extension based on multi-headed...
International audienceDiscovering association rules among items in a dataset is one of the fundament...
cote interne IRCAM: Truchet01aNone / NoneNational audienceA Constraint Programming System for Music ...
cote interne IRCAM: Truchet04aNational audienceConstraint Programming (CP) allows to modelize and so...
Throughout the history, musicians have always used music composition rules, which actually are in mo...
AbstractConstraint Handling Rules (CHR) are our proposal to allow more flexibility and application-o...
We address the issue of formulating constraint problems in structured domains, and focus on the expl...
Scores are structured objects, and we can therefore envisage operations that change the structure of...
The goal of this work is to derive four-voice music pieces from given musical plans, which describe ...
This master's thesis aims to interface and apply the constraint programming to a software of musical...